Sunday, July 30, 2023

Opinion: We Will Continue to Blame Victims Until We Actually Believe Them

 

Amber Heard smiling
"Amber Heard" by
Gordon Correll
As the Johnny Depp and Amber Heard defamation trial began on April 1, 2022, the irony of its commencement on the old Fools’ Day was not lost on me. Some of us turned our backs in disgust, some rolled our eyes, and the rest, well, we looked on in morbid amusement, even as the rest of the world appeared to rip apart at its seams. The end of days seemed to encroach on our reality - but there we were, eagerly watching a public live stream of a defamation trial between two wealthy celebrities who couldn’t work out their personal differences in any other way than to hit the other where it hurt most: the wallet. It really was like watching a train wreck that no one was able to turn away from, but for me, the disdain I felt for the couple’s raucous display of wealth and tactlessness was overridden by the fact that as an abuse survivor, I actually believed Heard. 


My ambivalence toward the whole thing did not stop me from furiously scrolling the numerous comments of Instagram and Twitter posts that “reported” on the trial, though, which of course revealed a dichotomy of opinion: one large portion swaying to one side, another being the “unpopular opinion”. If you weren’t totally disgusted by the whole thing, then - obviously - you were team Johnny. Yes. Poor old Johnny.  Of course, he couldn't be a washed-up ex-teen heartthrob with an alcohol and drug abuse problem. He is just another good man brought down by some ghoulish woman.

I am not here to deny Johnny Depp’s victimhood. I wholeheartedly believe that he is a victim - a victim of the pressures of the media and Hollywood, of substance abuse and addiction, of his own ego, and probably much more. But what is vexing about this new, particular victimhood of Johnny Depp is that it has erased accountability for his disturbing and aggressive behavior at the mention of Amber Heard’s "bad acting". Not to mention the mob-like incitement of intense and extreme hatred toward a woman who is not personally known by the majority of the folks who are so resolute in their belief of her incredulity. 

After the trial ended, awarding Depp $15 million in damages, one Twitter user posted: “#Amberheard is probably the most embarrassing woman on this earth, she lost…move on! Getting her PR team to get ridiculous hashtags trending, #JohnnyDeppWillWinAgain is gonna send her over the edge, she needs prison and the right help for her own sake #JohnnyDepp” (you can find the tweet here). Yes, there are people who believe that Amber Heard should go to prison for the things she accused of Johnny. 

I was shocked when I found out. In a fleeting moment, I recounted the pinching, heart-wrenching pain of realizing that most people refused to believe I was being abused seven years ago: the time I called the police over to my apartment because my estranged husband hacked my phone, stole conversations and photos, and threatened to post them on social media. [“I’m sorry, you’re still married, your phone is considered communal property - if he threatens you with physical violence, please call us back”]. The countless friends I lost, or who distanced themselves from me, because he had a larger social media following and posted intimate details about our breakup online, accusing me of abuse. Forget that he actually hit, choked, and continually intimidated me for four years preceding our breakup.

Attempting to convince friends and authorities that I was the victim was almost worse than the abuse itself. The constant, noxious fear that no one would believe me because so far, they hadn't, was debilitating. The most alone I have ever felt was the few months after I separated from my abusive husband. Most people stayed away unless they were a close family. My ex-husband was a popular artist on Instagram, at least at that point in time, and no one could believe that he could be so cruel. What’s more, they didn’t even know me that well. For the duration of our relationship, I had stayed at home raising the children while he was out mingling. I was a nobody. I had no social capital. No clout. Nothing. To come out against a beloved local graphic artist was social suicide (this was before #metoo and before the collective shift for advocacy of accountability). I found myself rehearsing the ways in which I would expose him, admit my trauma, and just get it off my chest. It was a heavy weight, a burden, a chore - because no one believed me. They believed the guy who said it was my fault. Pretty soon, you start believing it yourself, even as you continue to be victimized. You start to think that you don’t deserve to be believed.

There is no right, authentic, pure, unadulterated way for a victim of domestic violence to come out and expose their abuser. Most often, they are still very much attached to their abuser, and find it hard to force the words out - and when they do, it is in a voice of insecurity without conviction. According to Anne Groggel, in a study that sampled thirty cases of temporary protection orders from each county in Nebraska in 2015, nearly seventy percent of the victims sought to dismiss their protective orders based on reconciliation and love (2021). Another seventy percent dismissed their orders based on contrition and change, citing that their abuser was seeking help for anger management, mental health, sobriety and more (2021). Sometimes, the victim has a hard time believing the abuse themselves, or questions whether it actually happened, because their abuser keeps saying it didn’t, or believes the abuser loves them, or is sorry for what they did. In sum, exposing an abuser is not easy, and what most people think should be black-and-white in interpersonal violence simply is not. Sometimes the admission must be rehearsed. Over and over again. Maybe it will sound genuine. Maybe it won’t. It depends on the victim’s level of comfort in revealing sensitive, intimate details about a traumatic experience. It also depends on who’s listening.

​I do not know Amber Heard personally, but I do know what it’s like to be in her shoes. To have all eyes watching, dissecting everything you say and everything you do. As if those who are watching want to prove that you are a liar because if they don't they will have to admit that their "hero" is flawed. It is impossible to gauge the credibility of a person’s testimony simply by witnessing them flail and buckle under pressure, especially in instances of abuse. Reactive Abuse exists, and those suffering from PTSD or C-PTSD can respond in a variety of ways. To dictate how a victim must act to be credible is to completely invalidate the trauma they have experienced. It does not matter to me that Amber Heard was not “believable” on the stand. Because I already believed her the first time.

Fashion Mixtape: Lolita Nouveau

"Harajuku Girls" by Elvin on Flickr
 We sit down in our barren living room,  which is still lined with boxes half-unpacked. My sixteen-year-old daughter, Sadie, sits cross-legged on our replica mid-century modern couch. She has just gotten her hair cut, a French bob with bangs, a la Amelie. Her eyes are lined with liquid black eyeliner with pink blush topped on top of her round cheeks, and she has paired Doc Martens combat boots with a black-and-white checkered halter dress. She could have walked into a scene in Amelie and seamlessly fit in. The dress is hand-sewn, and it is either a replica of a 1950s dress or is true vintage. “There’s no tag, so it’s hard to know,” she’s told me on several occasions.


I've asked her to sit down and talk with me about Gen-Z alternative fashion for a creative nonfiction project I'm completing for a class. She is gleaming with youthful confidence, and her voice exudes a tone of approval that tells me this is “her thing”. Of course, she's perfect for the project. But what I haven't yet told her is that many of the styles she and her friends adorn themselves with originate in the styles I wore and was interested in when I was a young adult – Emo, Punk, Goth, Lolita, Fairy-Kei, and more. We’ve never really discussed this as a mother and daughter before. “My style is kind of like a mix between 1950s vintage and Fairy Core slash Cottage Core and J-Fashion,” she’s told me many iterations of this statement in the past, but she repeats it as she leans back in her seat, “anything cute and doll-like, kind of like a baby doll’s fashion.”  The names are all different, but I see distinct cyclical trend-lineages, motifs derivative of early 00’s Pop, and Emo and Harajuku subcultures in everything Gen-Z wears today: the music, the makeup and hair, the labels and sub-labels, and the clothes. According to Sadie, however, her style started out as a mode of self-expression, self-love, and friendship.

“I got into it because I had many emo, goth, and scene friends, and I saw the way that they were dressed. They would go all-out with all of their outfits, and I got a little inspired. But I always liked pink instead of their color choices – which were normally black or just muted colors – so I just went with what I liked, which was pink, and I would go online and see things like frilly skirts, pleated skirts, cute pink sweaters and I would just go off of that.” The mention of “the internet” of course brought us to TikTok, and when asked whether the social media platform was a source of inspiration, Sadie responded, “I think [TikTok inspires] a lot because it’s kind of difficult to find – um, like if you were just my age, like sixteen or fifteen walking around school – you wouldn’t really find people dressing that [alternative] way.” 

It goes without saying that TikTok and Instagram have made it immeasurably easy to access alternative fashion trends – a stark contrast to the pre-iPhone era. Before the emergence of the social video platform, one first had to find a friend or two who were involved in an alternative subculture – and there were some that were more accepted than others. Next, there were the hours and hours of perusing Livejournal if you were interested in such subcultures as Lolita or J-Fashion – subcultures that were singular and rarely found in the US. In other words, finding your “tribe” was difficult.

Having possibly originated in the late 1970s in the Harajuku district of Tokyo – there is little documentation to confirm its emergence – Lolita (and by default, its substyles) has faced criticism and judgment in its spread to the US and other Western countries, starting in the 1990s. Although it is derivative of 18th-century French Rococo and Victorian styles, its label, “Lolita,” associates it with the Nabokov novel of the same name, and therefore with promiscuity and pedophilia. It is unfair to sexualize the style, however - Lolitas wear modest, knee-length frilly skirts and pinafore dresses. They get together for tea and pastries, and generally just aspire to look as cute (i.e., kawaii) as humanly possible. Regardless of its true objectives, Lolita fashion has been historically laden with misconceptions, and, naturally, the burdens that go with it. 

However, it's clear that Lolita and J-Fashion are not going anywhere. Their prevalence on the TikTok has proved that the styles have longevity, longer than most trends. Sadie, while not in complete Lolita dress (many Lolitas wear wigs and intentionally over-accessorize), is inspired by the style, and if there is a way to incorporate a pink frilly thing into her outfit, she will. However, though she does not know the origins of Lolita fashion, it does not mean she is not in-line with its ethics – Lolita, and many J-Fashion styles for that matter, are not about being “in-style,” but more about community.  Sadie confirms this by saying, I was more of like ‘oh, these people like this fashion too,’ it was more of my friends that made me feel like I was okay to wear that [alternative fashion] around school.” 

So, perhaps while alternative styles are more accessible, wearing them still takes a lot of courage. Having a safe place amongst friends helps. “In middle school I didn’t have a single friend who would dress the way I wanted to, and so I just didn’t. And um, because I have my group of 5-7 friends who like to dress – like to express themselves through fashion – I feel like I can. Even though I do get weird looks or comments from certain people it’s easier to do what I want to because I feel comfortable around my friends.” Maybe it isn’t about looking “cool” all the time, or maybe the definition of “cool” is shifting, or maybe it’s simply about finding a tribe of people who accept you. No matter what.